Images, textures, and freedom: An exhibition by Artists’ Safe Haven resident Abecor
Justice & Peace welcomes you to the exhibition “Images, textures, and freedom”.
The exhibition marked the premiere of Abecor’s artworks in the Netherlands as part of his Artists’ Safe Haven residency. It exhibited a combination of sculptures and cartoons that highlighted Abecor’s perspective on pressing social and political issues through humour and satire, in both images and textures. The exhibition was displayed at The Grey Space in the Middle in The Hague from 14 until 19 October, with an official opening event on 16 October.
“Images, textures, and freedom” Exhibition
During his residency, Abecor worked in the studio of local artist, Hetty Looman, where he developed a series of ceramic and bronze sculptures that reflect upon the connection between verbal and visual communication. In the exhibition “Images, textures, and freedom”, these works are shown in dialogue with a selection of the many cartoons that Abecor made over the last nineteen years as a response to the current struggle for justice and social equality in Bolivia.
Bolivia has long been dealing with multiple human rights issues including governmental interference in the judicial system, corruption, breaches of freedom of expression, and attacks on journalists, while in recent years, there has been an increasing rise in harassment and repression.¹ Within this context, Abecor’s artworks work as a form of protest, denunciation and peaceful awareness-raising, as well as an important contribution to freedom of expression.
Approaching artistic practice as a tool for social transformation, Abecor aimed to invite the audience to reflect on the importance of freedom of press and freedom of speech, and demonstrate the importance of cartoons and sculptures as a means of communication and empowerment. Humour and satire have a significant role in his work, making difficult topics more approachable by allowing for a broader emotional experience, critique, and connection.
A Milestone Realized
Abecor’s time in The Hague was not only an artistic endeavour but also a personal milestone. The exhibition allowed him to fulfil his lifelong dream of showcasing his work in Europe. It provided a platform to connect with new and old fans of his art, offering attendees a window into his vision and passion for justice and equality.
As a special gift to Justice & Peace, Abecor unveiled a sculpture that embodies the spirit of the Shelter City initiative. This piece symbolizes resilience, hope, and the solidarity that drives the global fight for human rights.
Proceeds from the sale of his artworks will help Abecor achieve another dream: establishing a bronze casting studio in Bolivia. This studio will allow him to expand his artistic practice and create a space for collaboration, empowering other artists in his community.
A Legacy of Freedom and Expression
Abecor’s exhibition in The Hague stands as a testament to the enduring power of art to challenge, inspire, and transform. Through his work, he continues to advocate for freedom of expression and access to information, embodying the core values of the Artists’ Safe Haven initiative.
Despite being at risk, Abecor has not stopped advocating against silence and corruption. We thank Abecor for sharing his art and activism, and congradulate him for his first European exhibition.
Empower changemakers like Abecor
The Artists’ Safe Haven initiative supports artists who use their talents to champion human rights and freedom of expression.
Abecor is a multidisciplinary artist and graphic journalist from Bolivia, and a participant in the Artists’ Safe Haven initiative. As a caricaturist and sculptor, he transmits visual messages that contain criticism, humour, satire, and hope, which serve to represent different facets of Bolivian and worldwide politics, society and idiosyncrasy. His work focuses mainly on issues relating to the right to freedom of expression and access to information.